Comments for Triple E Productions

Comment on COLOR CORRECTION TUTORIAL CASE STUDY: ELKE BLASI’s “STAR69″ by Triple E Productions

Triple E Productions — Mon, 14 Sep 2009 03:40:17 +0000

Yes. Some people like DPX as the final delivery in which case, we render out to DPX from COLOR.

Thanks for check it out! Glad you liked it! If you have any questions, feel free to ask us!

Comment on COLOR CORRECTION TUTORIAL CASE STUDY: ELKE BLASI’s “STAR69″ by praveen

praveen — Sun, 13 Sep 2009 11:59:15 +0000

nice tutorial dude……is it u people did any dpx files color graded…..

Comment on COLOR CORRECTION TUTORIAL CASE STUDY: ELKE BLASI’s “STAR69″ by COLOR CORRECTION TUTORIAL & CASE STUDY – GRADING ELKE BLASI’S FEATURE THRILLER “STAR 69″ « Director Paul Del Vecchio’s Homepage

Sun, 30 Aug 2009 21:00:07 +0000

[...] CHECK OUT THE ARTICLE/TUTORIAL HERE. [...]

Comment on Color Correction Series – KOPC – Part 1 by TRIPLE E PRODUCTIONS – CASE STUDY – COLOR CORRECTION PT.1 « Director Paul Del Vecchio’s Homepage

Fri, 21 Aug 2009 14:15:34 +0000

[...] company, TRIPLE E PRODUCTIONS, just finished COLOR CORRECTION on a feature film. Check out THIS ARTICLE for an in-depth look on how we achieved certain looks. This is especially valuable to indie [...]

Comment on THE NEXT HOT ROCK BAND – New Reality TV Pilot by WHAT I’VE BEEN UP TO LATELY « Director Paul Del Vecchio’s Homepage

Wed, 13 May 2009 16:10:37 +0000

[...] on scripts, and doing some non-related movie work. For those of you wondering what is going on, CLICK HERE to read up on the current project I’ve been hired to work [...]

Comment on *69 BEHIND THE SCENES SERIES by andrew pagano

andrew pagano — Mon, 30 Mar 2009 07:21:19 +0000

i agree that the green was way to sci-fi.

the white is a decent choice but there is so much white in the shot,it takes away from the eyes a bit and they blend in and tend to fade.making them whiter so they stand out looks a tad fake.

the red is interesting but it looks more like a medical problem ,not a supernatural one.

I would think that a dark shiny black might convey the possessed evil look and also be the stark contrast in the shot drawing the viewers attention immediately to them and also provide the shock that the scene seems to require.

just my two cents. Elke, love your work!!

Comment on CONTACT by david lobaina

david lobaina — Tue, 23 Dec 2008 19:01:45 +0000

We are staring a new film production Cuban-American on march 2009, is a low bodged film from few churchs, is a drama and we are looking for help with post production, is a low bodged, but we need the most quality as possible. We are looking for a greate sound desiged and I was seeing your work, is greate. If you are interesting in this, please send me a email, is important for us the cost for your services.

Greate job…
David Lobaina
director
lobaina@hotmail.com

Comment on *69 BEHIND THE SCENES SERIES by Trevor Miller

Trevor Miller — Mon, 15 Dec 2008 20:21:01 +0000

Hey guys, Great work so far cant wait to see the final product. Personally for my opinion “which I hope makes sense” is,

I would go with the dark bloodshot eyes,reason being I think it blends well with the tone, and condition of the character as well as fit with the blood and scraping on the face. The Blackness really sets the uncomfortable “dark” mood and gives a really great depth which represents a DEEP,strong ,possession within the character. Very Powerful.

The other colors,white/green stand out..which is good.. however i think they stand out too much on the character, especially white which can begin to “look unnatural” this can be good but …too unnatural can take away from the effect/believability as well as the concentration which seems to be a crucial element for the full effect of this scene….. kind of like a soundtrack..you want to hear it,but at the same time not hear it to get the most effective blend that fits perfectly to the scene to gain maximum effect…if this makes any sense

the dark bloodshot eyes blend well with the scene/tone and gives it the magic blend that will make this scene strong and disturbing…. I think there is a big difference between saying “looks unnatural” and “is unnatural”. the difference requires a strong level of communication between the director and the talent that is hard to achieve.
When the talent has the rare and perfect blend of acting,look, and environment the difference becomes very clear. Only then will the character begin to look “unnatural” and that is truly disturbing. With The dark bloodshot eyes I think you will clearly achieve the look and you will be glad you did…But thats just my opinion

Comment on PAUL DV’S ASPECT RATIO TUTORIAL UP ON FRESHDV.COM by Asasia

Asasia — Wed, 29 Oct 2008 09:28:19 +0000

You write very well.

Comment on “FALLOUT” – SHORT FILM – BEHIND THE SCENES HERE by Paul DV’s HEAT DISTORTION TUTORIAL « Triple E Productions

Paul DV’s HEAT DISTORTION TUTORIAL « Triple E Productions — Sat, 18 Oct 2008 12:46:58 +0000

[...] Paul DV’s HEAT DISTORTION TUTORIAL Director Paul Del Vecchio of Triple E Productions has created a HEAT DISTORTION TUTORIAL for use in After Effects. Paul says he got so many requests for the tutorial that he decided to make a more in depth tutorial on the subject rather than leaving people with a brief explanation. [...]